Thursday, September 17, 2009

A "seriously perverse twist on River’s Edge ... and it would be nice to dismiss Deadgirl as the worst sort of exploitation. Except that it’s been so well-written, well-made —walking a fine line between horror and satire— and well-acted, that you find yourself glued to the screen. It’s sick. It’s gross. It’s lurid. But you can’t say it doesn’t work." —  Kansas City Star

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